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Hektor, Seeing (Audio)

I’ve been practicing reading my work—a misleading term because I feel it’s more like performing, almost acting. No, it is performing. Even though it isn’t acting. Maybe live voice acting, or something close. I actually have a lot to say on the subject, but I’ll save that for another post. (Tl;dr: simply reading is boring; adding gravitas to words produces “poet voice,” which is silly; you need to express—act—the emotions of the work.)(Tl;dr the tl;dr: feel the emotions in your body, let them out in your voice.)

Instead, right now I’m just going to share a quick practice recording that I did for a friend. It needs work (e.g., on the plosives), but it isn’t half bad. In fact, I daresay it’s a damn sight better than most of what you’ll encounter at poetry readings across the anglophone world. (Just to be clear, I’m not talking about content—amazing poems can be read poorly, and poor poems can be read really well. I’m talking only about how the content is presented vocally.)

Here it is.