I’m for the moment just posting this because I find it an interesting example of how a single artistic gesture can be used to greatly differing effect in two different works. (Not that this should be surprising; but it’s nice to see it done so well and so differently.)
Anyway, listen to the two songs below:
Hear the sigh each singer uses? How do they make you feel?
Of course, a sigh isn’t just a sigh, nor is it sighed in isolation. The musical context contributes heavily, creating the atmosphere that the sigh breathes. In the case of “John Wayne Gacy, Jr.”, it’s creepy and disturbing; even more so for the way it works with the whole song—thetremulous voice, the quiet, tender melody that worms into your head carrying the initially unremarkable and eventually deeply dark lyrics—to create something profoundly unsettling, and unsettlingly attractive.
Meanwhile, in Buckley’s rendition of “Hallelujah”, there’s a hell of a lot of sex appeal. Buckley notably trims down the lyrics to focus almost exclusively on those pertaining to love and desire. And the inhalation at the beginning, as if Buckley had just been touched for the first time by a long-desired lover…